Blind I | The Boutique Music Blog | Quality Over Quantity.

VOCAL BEATER

Okay this shit is cool as hell. I mean, if you’re a producer, this shit right here is about to take your ideas straight from the mouthpiece to the MPC. Never again are you going to be suck at the DMV with a dope idea and forget it once you paid off that registration two hours later. Just check it! Production app of the summer!

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NO KNOWS DOPE | AUGUST 20X

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Okay so, thus far we have had NKD’s on some str8 up heat to kick start it all, then Dilla, then Beats, then Love , then Stereolab, then Portishead, then we had last months double NKD for Stevie & for this month I had to go with my man Busa Busss!! So many people sleep on Busta Rhymes! I never see him any ANNNNNNNNNNNYBODYS top 10 or top 20 for that matter. I had to dead that by doing a No Knows Busta. 60 pinche tracks! & even THAT was narrowed down. These are just my all time favorite Busta songs of all time. The others will be saved for a sequel somewhere down the road, but for now I think these will suffice. If you’ve always thought like me… then this is FOR YOU! If you sittin’ there reading this like… “really No? Busta?” then stick yo’self Pretty Tony & hit the jump to DL like yesterday!! (my bad for the 1 day delay)

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BLIND I ARTIST SPOTLIGHT:J*DAVEY

Tucked in the basement of New York City’s S.O.Bs, Miss Jack Davey and Brook D’Leau were chatting quietly as the venue began to swell with fans, eager for an electrifying experience. Surrounded by band members, managers, photographers and friends, they were relaxed and in their element, slowly gearing up to hit the stage. Both dressed in tanks and shorts, alternating between sitting Indian style and leaning forward intently, the pair reflected on their decade-long journey and the incredible milestones along the way. From being invited to open for the legendary Prince to cranking out classic EPs that have built the J*DaVeY NaVeY movement, Jack and Brook had more than enough to discuss. Rather than hitting them with strictly staff questions, Blind I opened the forum for people to submit questions for the group, which come towards the end of the interview. If you missed the footage we posted shot by our very own concert ticket winner Corey Davis, check it out.

Interview after the jump.

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J*DAVEY

Tucked in the basement of New York City’s S.O.Bs, Miss Jack Davey and Brook D’Leau were chatting quietly as the venue began to swell with fans, eager for an electrifying experience. Surrounded by band members, managers, photographers and friends, they were relaxed and in their element, slowly gearing up to hit the stage. Both dressed in tanks and shorts, alternating between sitting Indian style and leaning forward intently, the pair reflected on their decade-long journey and the incredible milestones along the way. From being invited to open for the legendary Prince to cranking out classic EPs that have built the J*DaVeY NaVeY movement, Jack and Brook had more than enough to discuss. Rather than hitting them with strictly staff questions, Blind I opened the forum for people to submit questions for the group, which come towards the end of the interview. If you missed the footage we posted shot by our very own concert ticket winner Corey Davis, check it out.

Blind I: You guys recently joined Erykah Badu and Janelle Monae on tour. You also performed with Sonnymoon (good friends of Blind I). How has it been being back on the circuit?

Brook: It was dope. We love to travel and perform for people of all walks. It’s a fulfilling thing that we do, and I can’t imagine having it any other way. That’s the whole point—we want to get our voice to as many people as possible.

Jack: Yeah, we were just talking about that. Like we get to travel for free doing something we love so it’s not even doing work.  It’s extending yourself to people.

Blind I: So how did everything come together? Erykah is notorious for personally picking artists to come open for her.

Brook: That’s exactly how it happened. She keeps it very minimal in terms of the politics so it’s just kind of like, “Okay do you want to do the shows?” And it trickles down from there and you gotta deal with XYZ but it should be natural that way. It should always be like the artist is invested in whoever is touring with them. Any other way just seems kind of contrived.

Jack: We’ve known her for a while. And that’s exactly how it happened.

Blind I: By now, many people know Prince invited you to open for him in Vegas, and you also opened for The Roots.  That’s like a dream come true for most artists. Is there a moment/memory that stands out?

Brook: Jack hyperventilating before the Prince gig man. I mean, our families grew up listening to Prince and they were heavily into him in his heyday. So when we did those shows our family was with us. I remember being in the dressing room with all of our parents. And when he walked in, our parents turned into little kids, you know?

Jack: I just went out to do it. It’s like okay I can either pass out or get it done. It’s a dream to have someone you really respect and admire as an artist be into your art as well. It lets you know that you’ve been doing something right.

Blind I: In situations like that there’s often limited contact with the headliners. Did you get a chance to build with these artists?

Jack: I remember there was one time in Toronto when we got booed. And as soon as I walked off stage,?uestlove was right there with his arms out. And he was like, “You know you’ve made it kid when you got booed.”

Brook: Getting booed is one of those liberating experiences where it’s like oh, everybody doesn’t like your music. We were never under the impression that everyone did, but I think it’s really cool when people can form an opinion about you whether it’s fully negative or fully positive. The fact that they feel so strongly to voice it that way. That means that we’re ruffling feathers or something.

Jack: Prince got booed when he opened for the Rolling Stones in the seventies. Kanye got booed in Toronto at the same place where we were. And it’s funny because before we went there, everyone was like oh you guys are going to love Toronto everyone’s so nice.

Brook: And then you get a beer can thrown at you, you know?

Jack: And then the next night we did a show at a smaller venue that was more our speed and it was a great show. And at the end of the day it’s like if they don’t like it, it’s not my problem.

Blind I: Most J*DaVeY fans are like cult loyal fans and follow your music closely. What’s next up in terms of projects you’re releasing?

Brook: A lot of diversifying. A lot of new ways of us branding who we are and our lifestyle. I think we’re great business people, but just acting on that. We collaborated on one T-shirt but for the other ones we’ve done, I’ve done the design. But a lot of my focus has been on art direction for our cover art and stylistically how we come across. But that’s also kind of rolling over into fashion. I’m just developing a lot of ideas right now but soon come!

Jack: Beyond the music we are just really becoming better business people. But yeah we will keep putting out music, keep recording, and keep doing shows. But we also plan to develop other artists and fashion stuff as well. I’ve been collaborating with a partner on a line called Lady Tripper. It’s mainly accessories like feather pieces and stuff that I wear onstage that I think NY will like. Tie dye shirts and stuff. We’re launching an online store: Ladytripper.com.

Blind I: Beauty in Distortion/Land of the Lost was kind of like your introduction. Very high energy. What’s the mood/feel of the upcoming projects?

Jack: We’re still working on a record with Warner Brothers. We put out our EP. We just have so much music, so it’s like figuring out a time when we’re not touring and you know recording to put it out.

Brook: And I think most importantly it’s not just putting the music out, but seeing how all the things we’re talking about in terms of branding, seeing how the music works within that. And not just simply putting music out.

Jack: Nowadays everybody is putting music out. It’s like one day you can be the trending topic on Twitter and the next day, it’s a wrap. The market is so fast now you have to think beyond it.

Blind I: Being at Warner Brothers in the rock department, how do you feel your situation is there in terms of creative control?

Brook: It’s actually kind of merged and so we’re not just in the rock department.

Jack: Yeah, we’re signed to Sire Records, which is a division of Warner Brothers. It was a side label from the 70s and they put out most of the left of center music like Talking Heads. And it’s just ever-changing. [In terms of labels], nobody really knows what to do now. And that’s why it is flexible because we’re able to put music out like EPs. And when you’re signed to a label, you’re not supposed to put anything out without the label’s consent. So now with a changing market, all content is helpful.  We move so fast that it can’t do nothing but help.

Blind I-Jack, a few years back you wrote a passionate open letter to the music industry: “They don’t want to develop the art. They don’t want the artist to express his/herself entirely. They just want the artist to comply with what will get the company a big monetary return.” Now that you have a good situation, has your opinion changed?

Jack: Not really. It’s a weird thing. Art is commerce. It’s one of those things where there is always going to be this divide. And it’s one of those things that artists, real artists are never going to be able to wrap their heads around. It’s so heavy. It’s one of those things where you have to just kind of sit and dig into. That’s just how it is. You can either go in be a part of that or do everything that you can to propel it forward, or try and do it independently. And even now, independent labels function as major labels which is stupid. Because at one point indie labels were the refuge but their resources are drained. Back in the 90s everybody had these big budgets and you could go and live in the studio and order food three times a day for you and the homies. But it’s not like that anymore and you got to roll with the times. And that was just kind of my way of letting it out. You can’t fight how it is though that’s how we made it.

Blind I: You guys tend to not feature other artists on your songs.  Do you prefer it that way or are you switching it up?

Brook: We don’t really have a set rule about collaborations. I think that what we do—it has a strong chemistry to it. So if it’s an element that doesn’t really enhance or really complement what we do, then we try not to. We’re not just trying to invite any and everybody to get on a J*DaVeY track. That doesn’t really benefit anyone. If there’s someone that feels they have something to gain from getting on the track or even if we feel that way about another artist, it doesn’t always work out that way. We’ve done some features and it’s mainly been friends of ours.  Like Questlove and Kardinall Offishall and it’s been very organic.

Jack: It just has to be organic. It can’t be political where it’s like okay you’re both on the same label so let’s get you to work together. It never comes out good. It sounds very forced.

Brook: You can’t negate the fact that making music is a very intimate and personal experience. It’s like you’re making something and revealing so much about yourself to the public even if it’s just via music. We put ourselves into it. So it’s not just something we do. It comes through us. So we have to treat it like it’s kind of sacred and not just put it out the street and ho it out and see what happens. This is our child. So we have to make sure we have a responsibility to keep that child on a certain path and not just let anybody hold your baby so when someone drops your baby it’s like oops.

Blind I: Where are you guys taking risks on this project? Like what will be the biggest surprise for your fans? Or area you ventured out a bit?

Brook: Our mainstay has been us doing what we do musically as J*DaVeY but then like I said us diversifying and trying out new ideas but still bringing everything back home. Just diversifying and being crafty in how we express ourselves to the public whether it’s art, whether it’s fashion or film, whatever. I think it’s a risk because people don’t expect for us to do stuff like that. They just look at us like we’re in a band. There are always risks involved. We’re setting out to say like we have to go from point A to B and so you do have to try new things that initially we might not have considered a couple of years ago. I think there’s always risks involved when you’re creating new business. You’re coming out of your pockets trying to get shit started. This is all being birthed from us.  It’s just balls to the wall.

Blind I: Let’s talk a little bit about your process of making music.  Do you both write or just Jack? And we know Brook produces but do you too Jack?

Jack: Yeah we do. You read his blog and he is a bit of a writer. I don’t produce the way that he produces.

Brook: When I first met her she had a studio in her house and was making beats. I have some of those old beats.

Jack: They all sounded like. I thought I was Dilla man. Before Dilla even existed. It was like Dilla before Dilla, definitely that hip hop feel.

Jack: But he is magical with instruments and that’s his thing and he puts everything together. And when we get in the room together I’m good at arrangements and stuff but the reason why this has worked so well is because we each know how to stay in our lane. He doesn’t need me hovering over his back in the studio telling him what to. Just like I don’t want him breathing down my neck telling me what to say. But sometimes when I’m recording I’ll be like what do you think about this Brook or help me with a word.

Blind I: Do you sing too Brook? I feel like I’ve heard you in the background on some songs.

Brook: Yes I do for some songs.

Blind I: I feel like I’ve heard a man in the background like is that Brook?

Jack: Ha-ha the invisible man.

Brook: I haven’t done every male vocal but I did “Get Together.” But sometimes she’ll do over dubs and vocal stacks and people will ask who is singing that low note and she’s like I’m singing that.

Jack: I wanted to be T-Boz. I had the mushroom haircut and everything.

Blind I: Right now, which emerging artists are you impressed/inspired by?  Who do you want to work with?

Jack: Janelle definitely. [Blind I: I heard Prince also picked her to perform on the BET Awards] Oh yeah! People need to see that right now.  The industry is overrun with the notion that if you’re a female performer you need to put on a leotard. You have to be robo sex bitch. Robo sex bot from the future and it’s just like they think that by doing that, “Hey we’re sexy, we’re confident we’re strong,” but it’s like no you’re not. Sexy and confidence is having your own mind and not following the crowds.

Jack: Definitely Sa-Ra. We came up with Sa-Ra and when I heard their music that was the first group that I heard and felt that we connected with.  There’s Blu, Theophilus, Animal Collective, Mars Volta, and TV on the Radio. There are a lot of bands that are right there with us.

Brook: Janelle right now is one of the most prolific performers as far as black music specifically female but just in general.

Blind I: Can we expect more rapping from you Jack?

Jack: Yeah. I was a rapper first and switched to singing because it just became too hard to rap. I feel like if you’re going to be a rapper you should have a very specific voice. Not just in terms of how it sounds but you should have a very specific voice. And everybody started rapping and it just stopped being interesting to me. So yeah, eventually when I find out what I want to say as a rapper and who I am as a rapper. Because I kind of lost touch with that.

Blind I:  It seems like you two have a very natural chemistry. Did you always click musically and have the same vision? Or have you just grown into it?

Jack: It’s been almost eleven years now. We were all friends and somehow I found out his dad had a studio so I was like oh, I’m a rapper.  So I was like let’s do something. We did one song together and it was just easy.

Brook: But initially I wasn’t even onstage when she was doing shows. We both had afros simultaneously.  It’s always been something that’s been organic. Never awkward. It’s always been an evolution we’ve embraced.

Jack: It’s gone through so many phases.

Now, here are some reader submitted questions. We appreciate you submitting these.

*Jarrel, L.A.-Have you two ever dated each other and are you currently single?

Brook: We’re actually incestuous brother and sister. [Laughs] No, well I’m a polygamist and I have sixteen wives, so I’m single basically.

Jack: I have a boyfriend. But yeah I and Brook are best friends.

*Jade, NYC-You guys both have blogs. Which blogs do you guys read? Do you ever get into the comments and feedback about your stuff?

Brook: I try to stay as far as possible as I can away from it.

Jack: I search. It used to get under my skin and then I learned okay you people are sitting on your computers listening to my stuff enough to form an opinion. Whether it’s bad or it’s good, it’s great. I read all the gossip blogs. It’s entertaining and that’s the business I’m in, I’m an entertainer so I feel like that’s research for me. I love Tumblr.

Brook: Tumblr is like that place where you find a lot of cool blogs but you also find out a lot about the people who create these blogs. I like, Highsnobbit, Hypebeast and all of those.

Jack: I like Kesh’s blog, she’s adorable and we love your blog.

*Emiliano, Brooklyn: How do you think your music would have been received if you came out in different decade like the 60s or 70s?

Jack: It would have been the same. I always talk about Iggy Pop and the Stooges and how they were pioneers. The way they started out, they were making up their own instruments and doing this crazy performance art shit. They were the pioneers and they never really got their due until now.  I think now people are able to understand how genius that was. I believe that personally I belong in 1974. The 70s psychedelic time is where I think I fit in. But musically people think there’s this trend of this bullshit music only seeing the light of day like it’s a new phenomenon. But this shit has been going on for decades. The radios were overrun by music that probably wasn’t as great as music you heard at a random coffee shop. This is not a new trend. They had bullshit back then. Everything that came out wasn’t great.

*Alicia, London: Brook, who is your favorite producer of all time? And do you play any live instruments?

Brook: Brian Eno is my favorite producer. I mainly play piano. But my next thing has been drums, but not publicly. But yeah drums I guess is the next step. It’s always been keys for me.  [Jack: The drummer always gets some Brook] That’s why I’ve started playin! The keyboards don’t get no nanny.

Draya, Chicago-If you each had to pick a song as your person anthem, what would it be?

Jack: “20^th Century Fox” by the Doors.

Brook: I would say “When The World Is Running Down You Make The Best of What’s Still Around” by the Police.

*Corey, NYC- Jack, you have a background in film and worked on the Ellen DeGeneres show. How do you think that all plays into your art as a performer?

Jack: I’m always thinking cinematically. Even like the way the music is I always want it to be a score of this bigger picture. So I’m always paying attention to how things look—the aesthetics and set design. I’ll get to a venue see the stage and be disappointed like that’s their fault or like I could have prevented that or like I could have ordered a different stage or something like that [laughs].

*Vanessa: Jack, your song writing is very sexy and mysterious. What inspires it?

Jack: It’s borderline like a lady never kisses and tells. A real sexy confident woman will tell you all that you need to know and they can sum everything up in one word or sentence or breath and it’s like okay I know what she’s talking about. That little breath right there? We know. I think the sexiest thing about a woman is when she’s a bit cryptic and mysterious. It drives people crazy.

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CEASE AND DESIST: FLO RIDA

Hip-Hop is most certainly not dead. There is irrefutable proof of both it’s life and it’s growth posted every single day on this very site. However, there are still some very credible threats to it’s existence. I understand that the term “Hip-Hop” is very broad and that the things that fall under that umbrella are so varied and multi-faceted.  Even the most serious purist can’t really police what is or isn’t part of the culture these days and I accept that a lot of what is Hip-Hop is not a reflection of myself or my generation or those before me. Fine. I get that.

But some shit just ain’t okay.

THIS MF RIGHT HERE: NOT OKAY.

I rebuke Flo Rida. I regret the day his parents met. I resent his lungs for continuing to draw breath, with which his mouth is able to make sounds.  I hate his dog. I HATE HIS DOG.

More after the jump

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RADIO RAM & MAGNETIC RECORDS PRESENT: CHILLOUT IN BLACK 2

This compilation from Radio Ram and Magnetic Records has music from Zap Mama, Esther Phillips, Nina Simone: nice eclectic mix for the sexy summer evenings. Tracklist after the jump!

Zap Mama f/ Bilal-The Way You Are

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THE MAKING OF OUTKAST’S AQUEMINI

Outkast’s Aquemini album was a true classic. You could put it on and let the entire thing play without a hitch. This CL Atlanta story has each participant in the project weigh in and reflect on the creative process. The behind-the-scenes perspective is ill. It’s like taking the liner notes and digging deeper. Enjoy the article–it’s a lengthy but great read:

Man, first they were some pimps. Then they were some aliens or some genies – some shit. Then they be talkin’ ’bout that black righteous space. Man, fuck them. I ain’t fuckin’ with them no mo’.
– – “Return of the G’ skit, Aquemini

By the time Aquemini was due to drop in the fall of 1998, no one knew what to expect from the-soon-to-be-iconic OutKast.

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VIDEO: PHIL ADE – THE LETTER

Phil Adé is the truth, and what the DMV already knows, the world will know shortly. This is the video for his new joint ‘The Letter‘ from his “Letterman” project, hosted by Okayplayer, which should be dropping verrry soon. He graced us with his talent and rocked at Quality SXSW, and we stand behind him!

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FOOTAGE: JAY ELECTRONICA ROADSIDE IN NEPAL

OkayplayerTV & Jay Electronica save a goat’s life, send subliminal shouts out to Indiana Jones with Jay’s hat, and manage to lay down the expectedly-dope Jay Elec verse, all in one clip. Maybe this is what the welcome mat was for. Shouts to OKP.

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NO KNOWS DOPE | MAY 20X

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Awwwwwwwwwww gyeah sun! I’m getting out my dreams! Okay so we’ve tackled str8 up heat to kick start it all, then Dilla, then Beats, then Love & now S T E R E O L A B ! ! ! This also like my Dilla tribute has been in the making for some time (since 07). My good friends Andrew Baker, Kenny Chen, Dert & myself share a love for Stereolab like no other. A favorite group of influential freshmakers as well from Gilles Peterson to  ?uestlove to J Dilla. Members Tim Gane (guitar/keyboards) , Lætitia Sadier (vocals/keyboards/guitar), & Andy Ramsay (drums) stepped on the scene back in 1990 straight outta London England. They have had many members come & go since then including Mary Hansen (backing vocals/ keyboards/ guitar), who joined the group in 1992, ten years before her accidental death. I had the pleasure of catching them last year for the first time live & it was phenomenal. Like the No Knows Dilla, this one was just as difficult to compile but I think after 4 years of debating on certain tracks to stay on or be taken off I have narrowed it down to (IMO) the best of the best that makes me love this “groop” so much. Heat spanning from across their vast discography, collaborations, live versions, remixes & rarities … yeah… this is the one! I hope you all eNjOy as much as I do.

TL & DL AFTER  THE J…

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